21 March 2011

The Banality of Evil

Every year, an old woman shuffles past the booth.


The gem show bustles to varying degrees at different times of day, so she is just one of the anonymous horde: asking questions, listening to answers, moving on. But because she is an old woman, she moves on slowly, and with difficulty.


Infirmity in every step, she stops, and then she poses a question. My colleague repeats it to me: do we have any covellite?


Covellite, for the non minerally-inclined, is a copper sulfide mineral: the chemical composition essentially consists of one copper atom for every one sulfur atom. Crystal structure is determined by the angles of ionic bonds: in this case, covellite crystallises on the dihexagonal dipyramidal system. But I'm getting ahead of myself.


We don't have any covellite. It's at that moment that I see the list in the woman's hand. It's covered in spidery handwriting, and I can clearly read the name "covellite". Above it, underlined, is another word. The word is "cancer". In her other hand, there is the inevitable book describing the mystical powers of "crystals". You get to be able to recognize them, if you read enough mineral books. I don't recall which one, maybe it was The Book of Stones. Maybe it was some other one. It hardly matters.


I want to tell this woman that she needs to see a doctor. That if she's seen one, she needs to see another. Or to consider palliative care. Or to do anything, but to stop following the path that she's on right now, and to look for real answers or real relief.


But I don't. It's too personal. It's too far beyond the limits of propriety. And I am not, in any way shape or form, a medical professional. So I put on my best, most solicitous manner, the kind that I use for dealing gently with people. I apologise, and she goes on her way.


And now the seething with rage begins.


Let me explain why.


I've lived around minerals all of my life. My grandfather was a collector, who travelled all around the country, often buying from miners who would set up stands at the side of dusty roads that week-ends. My father was a collector - my childhood home still has a basement full of minerals from all over the planet. And I collect as well. I've studied mineralogy, and read about minerals and the science surrounding them for twenty-five years, give or take.


Crystal healing types like to make claims about minerals. Claims like "clinochlore minerals have extensive healing properties", or "covellite connects strongly with physical reality and earth energies and at the same time carries much of the higher spectrum of vibrations from the etheric plane and beyond".


Bullshit. Bullshit, bullshit, bullshit.


For all of those minerals being all over my childhood home, it never seemed to make any medical difference, oddly enough. They didn't stave off cancer, heart disease, hypertension, pneumonia, influenza, broken bones, chicken pox or even premature baldness in my family. They also failed contribute in any material way to the amelioration of those conditions. Nor have I ever once heard, read of, or spoken to a proper collector or mineralogist who went from a complex scientific discussion of his subject to add “oh, and they cured my diabetes, which was a boon.” No, when you don't get ill, or when you get better if you fall ill, that's the province of medicine. Real medicine. The kinds that works, if anything will.


There is reality, and there is the world of ghosts. There is knowledge, a candle in the darkness, and then there are the remains of things left over from the millennia when human beings didn't have answers to questions like "what is that made of", or "where did we come from", or "why does that make a spark", so early humans tried to invent stories and gods and monsters and mystical objects in an attempt to make sense of the world. It was only with the invention of science, though, that the world really did make sense.


I don't know why it is that, consciously, some people choose to live in a world of phantoms. Maybe school was too hard. Maybe their made up knowledge makes more sense to them, or it's comfortable, like a ratty old cardigan on a cold autumn night. Maybe they've never been exposed to any real answers. Pick a reason, it doesn't really matter. They are now the prey.


Somewhere among those people are cynical, opportunistic vermin whose sole interest is in making a quick buck. To do that, they write knowing articles, make ridiculous claims, encourage people to wave their hands over minerals and pretend to feel some “energy”, suggest outlandish and expensive purchases and practises, and then vanish under the guise of "I wasn't really prescribing medicine, so the laws surrounding licensing and malpractise don't apply".


This, too, is bullshit.


Because as far as I can tell, they know that they're talking out of their fundaments. They are cynically and deliberately taking the money from people, promising health benefits, and delivering – well, delivering a pretty crystal and a headful of nonsense , and not much else. And at worst, they kill. They take the last shiny copper coin from these unfortunately people, and then leave them to die.


And honestly, I don't just find that unethical, deceptive, or morally offensive, although it is those things. It is more. It is wrong, and it is evil.


Medicine doesn't always work. At times, palliative care is all that remains. When cancer strikes down a big, strong man in the span of three, or maybe six months, then that is a tragedy, and one which we cannot yet solve. But that does not mean that it is time to send in the crystal wavers. That means it's time to redouble our focus on education, research, and scientific innovation: the only things that actually work.


09 March 2011

Review: Free Air, by Sinclair Lewis

Free AirFree Air by Sinclair Lewis

My rating: 3 of 5 stars


Free Air, Lewis' 1919 novel adapted from a magazine serial, is the story of Claire Boltwood, a Brooklyn society girl who has elected to make a cross-country journey via motor car with her father, Henry Boltwood, as chaperone. Passing through Minnesota, they make the acquaintance of one Milt Daggett, the son of a poor country doctor and now garage owner, who is smitten with Claire and elects to follow her across the country to Seattle.

The book is essentially divided into two parts. The first two thirds cover the Boltwood / Daggett journey from Minnesota through the Dakotas, Yellowstone, Montana, Idaho, and finally into Washington state. The final third shifts gears, as it were, to address how the blossoming relationship between Claire and Milt plays out against the backdrop of pre-World War I Seattle society. The primary tensions between Claire's nouveau riche familial ties and Milt's hard work nobility are drawn fairly crudely, as is typical in early "pot boiler" era Lewis.

The depiction of road travel, now taken for granted by Americans, in the second decade of the motor car is interesting, though some of the detailed references are missing, and others are obscured by the passage of time. The vehicles themselves, for one, are completely unfamiliar except, one imagines, to the automotive historian (a Teal bug, for example, or a Gomez-Dep are completely unfamiliar to me). Still, this part of the book is interesting, consider that it takes place some thirty years before the advent of the interstate highway system.

The resolution of the burgeoning romance is relatively straightforward and largely predictable, again in the vein of Lewis' early work. Apart from the motoring backdrop, and the depiction of early 20th century Seattle, there isn't much to recommend this book except to Lewis' most ardent admirers and completists. For more interesting works, his writing of the 1920s (Main Street, Babbitt, Arrowsmith, Elmer Gantry) are more to be recommended. But there is a charm in this book, even as there is an awkwardness in it's writing and composition which might surprise the reader of today.



View all my reviews

04 March 2011

Lastday

If you're like me, you probably remember the 70s sci-fi film Logan's Run with some fondness. What was there not to like? Sandmen, Jenny Agutter, Carousel, lifeclocks, a maniacal central computer, Jenny Agutter, Michael York's stony performance as Logan, Box, the human-freezing robot, Peter Ustinov, a giant city of classic 70s-era shopping mall luxury. Oh, and I think that Jenny Agutter was in the film.

For those who have somehow missed this gem, the premise was that, in order to avoid overpopulation of the enclosed environment after an undescribed holocaust, populations in large containment domes, who were otherwise a young and carefree populace, were cut short at the age of thirty. When a "lifeclock" - a sort of crystalline flower implanted in the hand - turned red and then black, they submitted to a ritual called Carousel on what was known as their Lastday, wherein some were supposedly "renewed", but funnily enough, no one ever saw the renewed populace again.

Occasionally, people would try to escape this fate and leave the dome, and this was where the Sandmen came into the picture, with their natty black and grey suits and cellular disruption weapons. If you ran, the Sandmen chased you, caught you, and you were dead. Naturally, Logan, played by York, elects to run, and takes Jenny Agutter's character with him, because she is rumoured to know something of the world beyond the city. It's a fascinating sort of sci-fi future dystopia, and anyone who knows me can attest to my love for a good dystopia (with the possible exception of the modern Republican/Tea Party idiot vision for America and the world).

Anyway, thinking about Lastday comes to mind as I'm choosing how to spend the final day of my thirties. So far, it's looking pretty mundane. Maybe a light meal out. Possibly a movie. There might be games. Very low-key. Which is all well and good, and though it may seem that I protest too much, I'm not really all that overwrought about my age. Why should I be? Forty is just another year, and, from our plans so far, it's going to be a good one.

But all this reflection casts me back to the final day of my twenties, which, rather being all raucous and ceremonial and "coming of age" and whatever other nonsense was instead extremely quiet and subdued, as I suddenly had newborn twin children in the house, which - and I don't intend to surprise anyone here - tends to suck all of the air out of the room which might otherwise have fueled the fires of a debauched end-of-the-twenties party. The next day, I turned thirty, and they were ten days old. I distinctly remember sitting on the sofa at about 6am, watching the old Robert Newton version of Treasure Island with the sound on the telly all the way down, holding one - fortunately sleeping - tiny child on each shoulder. Later in the day, to celebrate the birthday itself, I swapped for a newly acquired VHS copy of the Doctor Who classic "Planet of the Daleks". And that was as exciting as it got.

Memory is a fickle thing. And it's not going to get any better with age, I suspect. But on this Lastday, I'll spend some time with my family, and just not think about it. Tomorrow is another day.

Friday Music

There's no excuse for laziness, so while I'm working on a new post or two (or three, or four - you get the idea), here's a song that I haven't been able to get out of my mind for about a week now. It's the 2005 recording by Sunderland-based post-punk band The Futureheads of their cover of Kate Bush's "The Hounds of Love". I really enjoyed this disc and have picked up their subsequent releases, including 2010's The Chaos.

Straightforward, fun, playful approach to Kate Bush's haunting lyrics. Enjoy.